Eddie Ladd

Eddie Ladd's SEED's Residency took place on her farm in Ceredigion. More specifically in an animal trailer. This site specific work has acclimated in this pentaptych of videos where the restrictiveness of the space has shaped the choreography and the question: "How can audiences view this work?"

Treilyr Ifor Williams

Mae Treilyr Ifor Williams yn agor y gyfres gyda thrafodaeth gorfforol rhwng corff, gwrthrych a gofod – sgwrs rhwng perfformiwr, ffrog a threlar.

Treilyr Ifor Williams opens the series with a study of body, object, restriction and space – a conversation between performer, frock, and trailer.

Anadlu:Breathing

Mae Anadlu/Breathing yn rhan o gyfres barhaus o weithiau sy’n ymateb i’r safle ar y fferm, gan archwilio’r corff, yr anadl, a’r mannau sy’n eu dal.

Anadlu/Breathing is part of Eddie's ongoing series of site-responsive works developed on the farm, exploring the body, breath, and the spaces that hold them.

Temple Grandin

Mae Temple Gradin yn ymestyn archwiliad y gyfres o gorff, testun a lle—sgwrs ymgorfforedig â gwaith Grandin, o fewn ffram gul y trelar.

Temple Gradin extends the series’ exploration of body, text, and place—an embodied dialogue with Grandin’s writing, held within the tight frame of the trailer.

Sinema Ifor Williams

Mae Sinema Ifor Williams yn ymestyn y gyfres drwy droi’r llygad tuag i mewn—gan archwilio sut y gall lle perfformio fod hefyd yn sinema, yn dal archif o’i ffilmiau, ei weithredoedd a’i syniadau ei hun.

Sinema Ifor Williams extends the series by turning the eye inward—examining how a performance space might also become a cinema, holding its own archive of films, actions, and ideas.

Y Bwytawr Pechod

Mae Bwytäwr Pechod yn cau’r gyfres gyda myfyrdod ar gred, etifeddiaeth a phwysau straeon—wedi’i ddal o fewn muriau cul y trelar lle cychwynnodd pob ffilm.

Bwytäwr Pechod completes the series with a meditation on belief, inheritance and the weight of stories—held within the narrow walls of the trailer where each of these films began.